I finished the transcription this morning.
The biggest challenge is knowing 1) how much to remove and retain the spirit of the music because four hands cannot keep up with the counterpoint in the original work 2) how to keep hands colliding 3) how to make it pianistic 4) how to make it playable and lastly, 5) how to make it readable.
My wife's best reading piano student, Katie Lechner, an Oviedo High School senior and my 12 year old son Brendon will give it it's initial read this coming Saturday. This will be a proofreading session. If all goes well and I've done my work well, they will have the option of working it up for it's premiere. If not, I'll go back to the 'drawing board' and make the necessary fixes. Regardless, I win in both cases! I'm fortunate that these great kids are interested. If they can pull it off - I'll have a good candidate for a popular title for young advanced pianists.













